Aino Kishi - Japanese Sexiest Idol

Whereas in previous years an idol kept up her idol image until she chose to retire or was simply too old to continue being a credible idol, in recent years several ex-idols have successfully matured from being an idol to becoming full-fledged actresses, singers or musicians who are respected for their craft instead of (or in addition to) being admired for their looks and image. In the 1970s, idols had an aura of mystique that left much of their lifestyles secret. TThe culture of Japanese idols has changed over the years and it is questionable whether past idols would have the same amount of success if given the same opportunity today.

With the Meiji Restoration of 1868, the emperor and capital were moved from Kyoto to Edo, which was renamed Tokyo ("Eastern Capital"). Large parts of Tokyo were destroyed in the Great Kanto Earthquake of 1923 and in the air raids of 1945. Prior to 1868, Tokyo was known as Edo. A small castle town in the 16th century, Edo became Japan's political center in 1603 when Tokugawa Ieyasu established his feudal government there. A few decades later, Edo had grown into one of the world's most populous cities.

Producers liked Amuro and in 1995 she went solo, enjoying massive success. Namie Amuro was the most popular idol in the late 1990s, although marketed as sexier and more mature than other idols. She began her career in 1992 as a vocalist for the pop group Super Monkeys, but the group flopped very quickly. This status has since been eclipsed by Ayumi Hamasaki, who is known as one of Japan's current divas.

Inoue Mao - Japanese Hot Babe

Inoue Mao - Japanese Hot Babe - This is most starkly shown in terms of age. For example, it is widely ackowledged that many idols are older than the u19 or u15 category that they are placed within. However, in what most Europeans would see to be a contradictory stance, this interest in the detail is accompanied by a simultaneous apparent disinterest in the truth of this detail as it is presented. There is also an accompanying playfulness with age that one might not ordinarily associate with the stereotypical rigidity of Japanese culture. The popular idol magazine 'Beppin' for example is happy to associate a widely different age to the same model on consecutive pages of the same edition.